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Matthew Williams Is Stepping Away From Givenchy

Matthew Williams Is Stepping Away From Givenchy

Beginning January 1, the designer will no longer be creative director of the French fashion house.

Photo: Getty Images
Photo: Getty Images

Photo: Getty Images

Early on 1 December, Givenchy announced that designer Matthew Williams will be leaving his role as the house’s creative director on January 1, 2024. The studio team will design upcoming collections until a replacement is hired.

Williams has held the position since 2020, and has been responsible for pushing the storied brand into a new era, underscored by a decidedly sexier, slightly more streetwear-adjacent vibe, geared mostly toward a younger generation (of the Z kind, mainly). Once he steps down, he said, he will refocus his energy on his own brand, 1017 Alyx 9SM, popular among celebrities ranging from Kylie Jenner to the Weeknd.

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In a statement released by the house, Williams said: “Leading the creative direction of Givenchy was, as I said upon my arrival in 2020, the dream of a lifetime.” He added, “Over the last three years, I have strived to perpetuate Mr. Hubert de Givenchy’s legacy while bringing my own creative vision, and I would like to sincerely thank the studio, [Givenchy CEO] Renaud de Lesquen, and LVMH for this incredible opportunity.”

Lesquen thanked Williams for “all of the energy he brought to Givenchy.” “His collections, resolutely creative and contemporary, have sparked a new dynamic and found their audience,” the CEO said.

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There’s no doubt Williams will find continued success with Alyx, but his departure also provides an opportunity for Givenchy to appoint new talent with a progressive perspective. Could Grace Wales Bonner be a contender, perhaps? Or—as rumours swirling about the industry suggest—could this be a moment for Sarah Burton to start anew, after leaving her role as creative director at Alexander McQueen in September? Having a woman at the helm of Givenchy again would certainly be a thrilling prospect—and a change that, given recent discourse around the lack of female representation in the upper echelons of luxury fashion, would be hugely important.

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This article originally appeared in Harper’s BAZAAR US.

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