On the set of December 2017 issue
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An Haute Couture shoot always feel special because of the sheer tradition of it. And for this one, Diego Uchitel, the photographer, looked through hundreds of places in Paris and found a location that gave the perfect day light and had the perfect wall with just the right amount of 'beauty'. Well...that's photographer's talk if you ask me.
On set at a dilapidated Florentine villa
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Last shot of the day had to be during the golden hour at this beautiful Villa in Florence. It was such a magic moment.
Inside Palazzo Pitti, Florence
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The thing with shooting inside Palazzo Pitti in Florence was that you couldn't really touch almost anything, which was a challenge.
Inside Palazzo Pitti, Florence
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I just thought the juxtaposition was worth for a picture...steaming samples in the hallowed halls of Palazzo Pitti, witnessed by hundreds-years-old frescoes.
On set with Chrissy Teigen
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You know what they say...it takes an army.
On set with Chrissy Teigen
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Chrissy Teigen was such a fire cracker on set.
On set with Chrissy Teigen
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We just had to take a picture with the beautiful Chrissy Teigen.
On set with Yu Tsai, BAZAAR's photographer
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That's typical Yu Tsai and his antics of doing his signature 'Models, Models Models' action on the desert of Palm Dale, California.
On the set of April 2017 issue fashion shoot
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When the model took a selfie with your iPhone. She just couldn't resist the good light, good hair, good makeup combo.
With Georges Antoni, BAZAAR's photographer
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This was at the end of a set. And after a hard day's work where we had to wait for thunder cloud to pass through the location.
On the set of Simon Upton, BAZAAR's photographer
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Simon Upton often uses remote Australian beaches as his work space and in this case, Montana Cox was supposed to embody a modern version of Botticelli's 'Birth of Venus'.
On the set of April 2017 issue fashion shoot
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No caption needed.
On the set of April 2017 issue fashion shoot
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This was Montana Cox giving her best impression of an '80s-meets-Renaissance raconteur. In fact, we were playing Pat Benatar's 'Love Is A Battlefield' in the makeup trailer throughout the time.
On set with Natasha Liu Bordizzo
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I took a 24-hour flight to New York City to shoot this up and coming actress. At the end of the shoot, she looked so relieved and happy while I was nursing my jet-lag and thinking about the 20 boxes of samples that I had to pack.
On set with Natasha Liu Bordizzo
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Just moments before she broke character in front of BAZAAR's camera for the short video taping.
On the set of November 2017 issue
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The shoot was done at the start of winter at Upstate New York, three hour drive outside of Manhattan. It was a wet and short day, a difficult set to say the least. But the crew and the location was simply amazing and by the end of it we managed to get great pictures and beautiful memories.
On set with Sora Choi
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She came on set in character. It was sort of Manga meets New York cool but replete with high-octane energy.
On set with Sora Choi
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The location was this dingy yet famous club by the river in Manhattan. The stench of hard rage from the night before was still fresh yet it added the rock n' roll vibe that we were after.
On the set of October 2017 issue fashion shoot
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The casting, the crew, the clothes, the vibe and the atmosphere of the shoot on that day was simply magical.
On the set of September 2017 issue
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The theme for the issue was 'Youth'. Georges Antoni, the photographer, and I went for a backstory about a group of mischiefs, who were playing truant at school and went to a Dubstep rave party instead.
On the set of September 2017 issue
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You gotta do what you gotta do to get 'the' shot.
